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A hollow-core marble coffee table that reads as one solid block. Designed by Norm Architects for Audo Copenhagen.
The Audo Copenhagen Marble Plinth Coffee Table is assembled from 18mm marble slabs with mitered 45-degree joints — the corners disappear into the form so the table presents as a continuous stone volume rather than five panels joined together. The hollow core drops the weight without reducing the visual mass. Available in five stone varieties: Nero Marquina, White Carrara, Calacatta Viola, Grey Kendzo, and Kunis Breccia, each with veining specific to the block it was cut from.
Honed matte finish, sealed against staining
All surfaces are honed rather than polished, keeping the marble flat and non-reflective. A protective sealant guards against staining and liquid absorption without altering the stone's natural surface — the marble looks raw, but it isn't.
Audo Copenhagen Marble Plinth Coffee Table, Low Spec Sheet (PDF)
- Natural Marble with Honed Finish – The honed surface produces a matte, non-reflective face that highlights the stone's inherent veining without the mirror-like quality of polished marble — more forgiving of surface marks and more visually restrained in reflective interiors.
- Hollow-Core Construction – The interior is engineered hollow rather than solid, which significantly reduces weight while maintaining the visual mass and presence of a full marble table — easier to position and reposition without mechanical assistance.
- Rectilinear Block Geometry – The table's form is derived from simple rectangular planes without taper, curve, or leg separation — the design relies entirely on material character and proportion rather than structural variation.
- Protective Surface Sealant – A matte sealant is applied to guard against staining and liquid absorption without altering the natural stone appearance — relevant for a coffee table surface that regularly holds drinks and objects.
- Natural Veining Variation Per Piece – Each table is cut from a specific marble section, carrying its own tonal and vein pattern — the visual character of the surface is inherent to the stone and cannot be exactly reproduced between pieces.
Curbside Delivery
Complimentary curbside freight delivery – 4 to 6 business days. Delivery is to your front door. For multi-unit buildings, delivery may be inside the building entrance but not to a specific apartment door. A signature is required.
White Glove Upgrade
White Glove service is available at an additional cost for orders within the contiguous United States.
- $149 – Room of Choice + Packaging Removal
- $249 – Room of Choice + Packaging Removal + Assembly
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Scheduling
You will be contacted by phone and email to confirm a delivery date. A 4-hour appointment window will be provided.
Duties & Tariffs
All import duties and tariffs are covered by KANSO. Every order arrives fully cleared with no additional charges owed by the customer.
No Returns
Due to the oversized and/or fragile nature of this item, it is not eligible for returns once delivery has been completed. Please inspect your order upon delivery and note any damage before signing.
White Glove Delivery Available
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Authorized Audo Copenhagen retailer
Every piece is 100% authentic, sourced directly from the brand
Insured delivery
Every order is fully protected against damage, loss, or theft during transit
Warranty included
10 year warranty provided by Audo Copenhagen
Duties & tariffs covered
No surprise charges. All import fees are handled by us
White Glove Delivery Available
Upgrade to room-of-choice delivery at checkout.
Product questions
The plinth, reconsidered by Norm Architects
The plinth is one of the oldest objects in architecture: the base that raises a bust or a column and gives it standing. Norm Architects, the Copenhagen studio founded in 2008 by Jonas Bjerre-Poulsen and Kasper Rønn, took that object as a starting point and asked what it becomes when the thing on top is removed. The Plinth series is the answer, and the Low is its widest member. At 100 by 60 centimetres and only 27 high, it holds the proportion of a pedestal that has been set on its side, which is why it works as a coffee table without reading as one. Norm Architects have collaborated with Audo Copenhagen for years on the same principle the studio is named for: design drawn from established norms rather than invented against them.
Most marble coffee tables solve for a tabletop and treat the base as structure. The Plinth Low does the opposite: it is a single mass with a surface, and that changes how it sits in a room. We carry it because it anchors a seating group without competing with it, and because the mitre-jointed form reads as solid stone from every angle, which very few tables at this size achieve. As an authorized Audo Copenhagen retailer, we receive each piece with its stone matched and sealed to the maker's specification. It pairs well with low upholstered seating and a quieter rug, where the marble becomes the one hard, permanent element in the arrangement.
Five stones, one mitre-jointed form
Every Plinth Low is built the same way regardless of stone. Two-centimetre marble plates are cut, milled to a 45-degree angle along every edge, then glued into mitre joints so the five faces meet without a visible seam. The corners are reinforced with marble reclaimed from the same production offcuts, and the base plate is plywood, carrying the adjustable glides that level the table on an uneven floor. What changes across the variants is the stone itself. White Carrara is the quiet, grey-veined baseline; Nero Marquina is near-black with sharp white veining; Grey Kendzo runs charcoal with finer, more intricate veins; Calacatta Viola carries dramatic violet and gold movement; and Kunis Breccia is not a marble at all but a stone blend of warm fragments that reads as texture rather than veining. Each block is cut individually, so no two tables share the same pattern. The price moves with the rarity and the working difficulty of the stone, not with the construction, which is identical throughout.
